today is monday
8 Post Rational Reasons I Moved to London
The Chemical Project
T.R.C.
Shots of Black
Painting
Paying Attention
Parstylo
Film (soon)




REMEMBER THIS?


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LOCO

locolarge

EGYPTIAN FRIEZE

SHINJUKU

shinjuku

BABOON

baboon

BIRDS BIRDS BIRDS BIRDS

LLAMA BOWL

GORDON’S CITY

MOTEL MOTEL

UMA

SHINJUKU

shinjuku

OHONEOHONE

CHEMICAL PROJECT 7

CHEMICAL PROJECT 6

ALBERTA FARM

MOROCCO PALACE

MOROCCO MOSQUE

MOROCCO KEFFIYEH

MOROCCO GRILL

MOROCCO SIGN

MOROCCO TSHIRT

MOROCCO FURNITURE

MOROCCO RING

MOROCCO DONKEY

MOROCCO ROAD

MOROCCO DETAIL

MOROCCO TOMBES

MOROCCO TAJINE

EVOLO2

EVOLO1

WORRY

SWINGMAN BRIDGE

PEANUTBUTTER

BRIT HOL HUT

MAY 07

OCCASIONAL DRINKS TABLE

LINKED FROM ABOVE

LOODO

MANAROLA

HEXAGON

GINGE

BASKETBALLBASKET

DANDY

THINGS I”VE CARRIED ON MY BIKE

SOHO

CARDBOARD CARRIAGE

DANISH DRINKING PAVILLION

CHEMICAL PROJECT 5

88KINGSBRIDGED8

VICKY FOOTBALL

88CARIDE8

NEO NOMAD part2

EXP06

88INDUST8

BURGOMASTER FOR MAYOR: PROPOSALS FOR A BETTER HALIFAX

NEO NOMADIC

Mobility and the Architectural Armature
or Why architects need to revisit theoretical designs for a nomadic society to prepare for the future.

Social shifts have paved the way for a neo-nomadic society. Shrinking global boundaries (partly due to transportation progress and developments in electronic communication), flat pack (disposable) furniture, and the simplification of dwellings due to modern architecture (more specifically, the economically driven results of minimalism) have in some ways led to a cheapening of architecture and design partially fueled by architects’ failure to respond. Developments such as computers and minimalism being used by apathetic designers as a crutch and the DIY design revolution, describe a dangerous shift towards lost arts.

Neo-nomads have been loosely described as “people who turn a laptop, a wireless connection and a café into an office and work wherever they happen to be .” To allow for varying levels of the neo-nomad, there needs to be a broader defination that would reflect more of an impact on architecture. This would be the movement that describes less of a bond to architecture, human relationships, religion, careers, traditions and culture. A different level considers those that travel for work as a requirement rather than a choice (the job site moves, the individual is a medium of communication, or the seasons shift i.e. migrant workers). The neo-nomad now moves with slightly larger baggage, but still carries the acquired skills and tools (or weapons) as nomads have historically. It is becoming increasingly more convenient for someone in their 20s + 30s to fit the extent of their cherished belongings into a van, and many I know including myself, have recently proven that this is possible. Levels of the nomad therefore do exist.

Architecture at this level encompasses the static elements (the ‘real urbanism’) while ephemeral elements belong to the nomad. These elements may include the individual, their values and culture, or their relationships and their material goods, for example: personal belongings, a piece or two of furniture, tools, and the disposable items that are globally available and essentially similar (a flat pack table, a mass produced toaster, a toothbrush). The replaceable items become part of the nomad’s existence because of the familiarity. Here the ‘real’ estate is more of an armature than an extension of the individual.

A growing population is starting to move towards an urban/nomadic hybrid and architecture and design can either be reacting to, or driving this development forward. This should be seen as an opportunity to revisit the avant-garde designs of the past, which deal with new social groups and the ‘plug-in’ architecture that facilitates a semi-transient population. Clearly the levels of transience reflect on the architecture. Somewhere between the family home and the pack mule we can begin to create an infrastructure to accommodate the growing strength of the ‘plug-in’ lifestyle.

However, think positively. This should not paint a dystopian picture of overzealous panic, but present a closer look at an exciting opportunity for architectural invention. Think possibilities.

OSCAR

SECURITY

PARLI

CHOCO-LINER

SIDE PROTO

AWAY

KUROSAWA 2

YOLK EYES

WHEELIE 3

WHEELIE 2

WHEELIE 1

VACATION

FEMME

UNTI

TRIO TABLE

TREWAL

TREE FARM

TRANSPORT TABLE REFINED

TRANSPORT TABLE PROTOTYPE

WHITE MAN

INSTALLATION OF THE WHITE MAN. THE FIRST OF THE SWINGMEN SERIES.

SKINNY DIMMER LONG

SHITTY CITTY

FOR TWO YEARS, THIS DRAWING EVOLVED ON THE BACK OF A TOILET STALL DOOR. BEST NOT TO THINK TOO HARD ABOUT IT. THE PENS AND SHAPES WERE A RESULT OF WHAT WAS IN THE POCKETS, AND ON THE MIND. IT’S AN EXAMPLE OF A SERIES OF SHORT DRAWINGS OVERTIME TO BECOME ONE SCENE. CLEANERS, SANDING AND ANONYMOUS ARTISTS MADE THECITYEVOLVE UNLIKE ANY OTHER DRAWING.

PURPLE MAN

SO GREEN MAN HUNG THERE FOR A WHILE. ALONE. NO DOUBT LONELY. THEN ONE DAY ANOTHER ANONYMOUS ARTIST HUNG PURPLE MAN AND THE TWO BECAME GREAT FRIENDS.

FOUND OBJECTS TABLE

ONE SHELTER

NOSOA B

NOSOA A

NEW NEST

NASTY NEST

INDIA POST

HEADBOARD

HALI FOTO 2

HALI FOTO 1

GREEN MAN

WHITE SWINGMAN, HAVING BEEN TAKEN DOWN BY THE ELECTRIC COMPANY, HAS BEEN REPLACED BY AN ANONYMOUS ARTIST. LONG LIVE THE SWINGERS.

GLASS FACE

FOAMER

FREE LANCE GALLERY

FIRE TWO

FIRE

DRIP FIND

BUGS NEST

TOILET FLOATILLA

TICKET

SWINGMAN

SKINNY DIMMER